Luca Signorelli

Crtona 1441-1523 .Italian painter of the Umbrian school, who probably studied with Piero della Francesca. He worked in Cortona, where some of his paintings have remained. Subsequently he worked in the Cathedral of Perugia, in Volterra, and at Monte Oliveto before undertaking (1499) the decoration of the Cappella Nuova in the Orvieto Cathedral. There he represented the apocalyptic series of the Story of the Anti-Christ, the End of the World, the Resurrection of the Bodies, Paradise, and the Inferno, as well as figurations from antique poems and the Divine Comedy. The infernal scenes are remarkable for their imaginative evocation of fiends and tortures of Hell. Michelangelo was influenced by his powerful treatment of anatomy and the vivid realism he used for dramatic ends. Signorelli's paintings in the Vatican, where he went in 1508, were later sacrificed to make way for some of Raphael's work.


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Luca Signorelli The Virgin and Child among Angels and Saints oil


The Virgin and Child among Angels and Saints
Painting ID::  42873
The Virgin and Child among Angels and Saints
mk170 Oil on wood 265x193cm
mk170 Oil_on_wood 265x193cm
   
   
     

Luca Signorelli The Circumcision oil


The Circumcision
Painting ID::  42874
The Circumcision
mk170 circa 1490-1495 Oil on wood 258.5x180cm
mk170 circa_1490-1495 Oil_on_wood 258.5x180cm
   
   
     

Luca Signorelli The Damned Cast into Hell oil


The Damned Cast into Hell
Painting ID::  44892
The Damned Cast into Hell
mk176 1499-1504
mk176 1499-1504
   
   
     

Luca Signorelli Sermon and Deeds of the Antichrist oil


Sermon and Deeds of the Antichrist
Painting ID::  52057
Sermon and Deeds of the Antichrist
1499-1502 Fresco Chapel of San Brizio
1499-1502_Fresco_Chapel_of_San_Brizio
   
   
     

Luca Signorelli Resurrection of the Flesh oil


Resurrection of the Flesh
Painting ID::  52059
Resurrection of the Flesh
1499-1502 Fresco Chapel of San Brizio
1499-1502 Fresco_Chapel_of_San_Brizio
   
   
     

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     Luca Signorelli
     Crtona 1441-1523 .Italian painter of the Umbrian school, who probably studied with Piero della Francesca. He worked in Cortona, where some of his paintings have remained. Subsequently he worked in the Cathedral of Perugia, in Volterra, and at Monte Oliveto before undertaking (1499) the decoration of the Cappella Nuova in the Orvieto Cathedral. There he represented the apocalyptic series of the Story of the Anti-Christ, the End of the World, the Resurrection of the Bodies, Paradise, and the Inferno, as well as figurations from antique poems and the Divine Comedy. The infernal scenes are remarkable for their imaginative evocation of fiends and tortures of Hell. Michelangelo was influenced by his powerful treatment of anatomy and the vivid realism he used for dramatic ends. Signorelli's paintings in the Vatican, where he went in 1508, were later sacrificed to make way for some of Raphael's work.

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